1
Casement I
A brief threshold into the cycle: two voices awaken the old house and open the casement onto an imagined world.
Soprano · Mezzo-soprano · Two pianos
Twelve songs opening a theatrical casement onto moonlight, faery and dream.
Written for soprano, mezzo-soprano and two pianos, A Magic Casement creates a theatrical sequence from poems of dream, faery, moonlight and transformation. The two voices repeatedly cross the boundary between narrator and character while the pianos supply both atmosphere and dramatic architecture.
1
A brief threshold into the cycle: two voices awaken the old house and open the casement onto an imagined world.
2
An invitation into the enchanted landscape, carried by flowing two-piano figuration.
3
A nocturnal song suspended between wonder and unease.
4
A delicate procession whose tenderness is shadowed by mortality.
5
The casement frame returns, binding the cycle’s separate poems into a continuous dramatic space.
6
A lyrical, theatrical address to Pierrot, poised between intimacy and stylized gesture.
7
Exuberant motion and luminous imagery animate the evening sky.
8
A quick, mischievous scherzo of pinching rhythms and theatrical play.
9
A miniature voyage across moonlight, lake and faery landscape.
10
Two poetic images interlace in music of distance, enclosure and nocturnal song.
11
The framing world returns in a quieter, reflective guise.
12
The cycle closes in a broad dreamscape, where distant calls and layered sonorities gather the preceding songs into memory.