Timothy Sullivan

Soprano · Mezzo-soprano · Two pianos

A Magic Casement

Twelve songs opening a theatrical casement onto moonlight, faery and dream.

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About the cycle

Written for soprano, mezzo-soprano and two pianos, A Magic Casement creates a theatrical sequence from poems of dream, faery, moonlight and transformation. The two voices repeatedly cross the boundary between narrator and character while the pianos supply both atmosphere and dramatic architecture.

1

Casement I

A brief threshold into the cycle: two voices awaken the old house and open the casement onto an imagined world.

2

Come Away

An invitation into the enchanted landscape, carried by flowing two-piano figuration.

3

The Moon-Child

A nocturnal song suspended between wonder and unease.

4

A Faery Funeral

A delicate procession whose tenderness is shadowed by mortality.

5

Casement IV

The casement frame returns, binding the cycle’s separate poems into a continuous dramatic space.

6

To Pierrot in Love

A lyrical, theatrical address to Pierrot, poised between intimacy and stylized gesture.

7

Under the Evening Star

Exuberant motion and luminous imagery animate the evening sky.

8

Faery Revels

A quick, mischievous scherzo of pinching rhythms and theatrical play.

9

Song

A miniature voyage across moonlight, lake and faery landscape.

10

Princess / Nightingale

Two poetic images interlace in music of distance, enclosure and nocturnal song.

11

Casement V

The framing world returns in a quieter, reflective guise.

12

Bugles of Dreamland

The cycle closes in a broad dreamscape, where distant calls and layered sonorities gather the preceding songs into memory.